Guardians at the Wall has now been proof-read, beta-read and copyedited, and will be finalised in early May ahead of a planned 1st June launch. It might be released earlier if ready – I’m looking at Friday 28th May as a possible early release date. I’m in the process of arranging book blog appearances in June. I’ve decided to not go wide and just put it out as an Amazon exclusive in Kindle e-book, paperback and Kindle Unlimited.
Every independent author needs favourable reviews to entice casual browsers to make a purchase decision, so if you are defined interested in reading and reviewing it on Amazon (and/or Goodreads) please email me to request a pdf (for ipad); epub (for Kobo reader) or mobi file (for Kindle) so you can get started.
Guardians at the Wall blurb: A group of archaeology students in northern England scrape at the soil near Hadrian’s Wall, once a barrier that divided Roman Britannia from wild Caledonian tribes.
Twenty-year-old Noah makes an intriguing find, but hasn’t anticipated becoming the object of desire in a developing love triangle in the isolated academic community at Vindolanda. He is living his best life, but must learn to prioritise in a race against time to solve an astounding ancient riddle, and an artefact theft, as he comes to realise his future career prospects depend on it.
In the same place, 1,800 years earlier, Commander of the Watch, Centurion Gaius Atticianus, hungover and unaware of the bloody conflicts that will soon challenge him, is rattled by the hoot of an owl, a bad omen. These are the protagonists whose lives brush together in the alternating strands of this dual timeline historical novel, one trying to get himself noticed and the other trying to stay intact as he approaches retirement. How will the breathless battles fought by a Roman officer influence the fortunes of a twenty-first century archaeology dirt rat? Can naive Noah, distracted by his gaming mates and the attentions of two very different women, work out who to trust? Find out in Tim Walker’s thrilling historical dual timeline novel, Guardians at the Wall.
A Light in the Dark Ages is a book series conceived and written by British author, Tim Walker. It began in 2015 as a reflection on a question that popped into his head on a visit to the site of a Roman town (Calleva Atrebatum/Silchester) – how would the Briton tribes have reacted to the end of nearly 400 years of Roman occupation?
The first book, Abandoned, was published as a short novella in 2015, but was extensively re-written an re-launched as a novel in 2018. The narrative is loosely based on Geoffrey of Monmouth’s description of the politics of post-Roman Britain in his 1136 work, The History of the Kings of Britain, but supplemented by scraps of researched historical opinion.
Picture shows the author at the Roman wall remains at Silchester.
Although widely dismissed by historians as at best, wildly inaccurate, and worst, a work of fiction, Geoffrey has been credited with accumulating and working from source material, including a mysterious ‘text in a native tongue’ that remains undiscovered by historians. More recently his work has been re-evaluated with attempts made to try to understand why he moved historical figures and events around in his timeline in a sort of Middle Ages cut-and-paste job. Historian Miles Russell offers an interesting attempt at ‘decoding’ Geoffrey’s work in his Arthur and the Kings of Britain (2019).
Certainly the figure of Arthur, plucked from early Welsh folktales and mentions by church clerics such as Nennius in his work, History of the Britons (820), has been embellished with the deeds of other heroic leaders to create Britain’s first superhero. The deliberate creation of an heroic Briton leader who defeated the hated Saxons in battle is thought to have been done to please his Norman readership and sponsor. So there is a backbone of researched historical facts (and earlier mythology) in Geoffrey’s work, although it fails as a history due to the creative embellishments and the switching around of events and people to plug gaps in his timeline – and, presumably, to make his book a more enjoyable read.
Abandoned is followed by Ambrosius: Last of the Romans (2017). Both high kings Vortigern and Ambrosius Aurelianus are believed to be genuine historical figures in mid-fifth century Britain, due to mentions from a range of sources. This book charts the intense rivalry between these two figures that ultimately resulted in defeat and death for Vortigern, and victory and renewed hope for the Britons with Ambrosius.
Ambrosius is followed by Uther’s Destiny (2018), a story that is also based around Geoffrey’s tale of Uther, Merlin and the birth of Arthur. Uther’s name, ‘Pendragon’ is a title that literally means ‘The Head Dragon’. This may have been the title given to kings of Gwynedd in North Wales, some historians believe, hinting at a possible base for a historical ‘Uther’. But no early king of Gwynedd has this name, leaving historians with another puzzle to solve.
Arthur Dux Bellorum (2019) is the fourth book in the series. This covers the early life of Arthur, from late teens to late twenties. The idea for the plot came from an article historian David Ford Nash, who wrote an article on his best-guess for the locations of Nennius’s twelve battles of Arthur. He believes that Arthur first three battles may have been fought in Lincolnshire, in East England.
Other battles could have take place around York and further north in Northumberland and the Central Lowlands of Scotland, including Cambuslang – now a suburb of Glasgow. So, my young Arthur travels north from Winchester, though Lincolnshire and Yorkshire to Northumberland and Hadrian’s Wall, where he is based at the old Roman fortress of Vindolanda. From here, he leads his men into battles north of the wall, in the Caledonian Forest of Celidon and further north at Cambuslang. Distance wise, the journey from Winchester to Hadrian’s Wall is less than 300 miles, so perfectly achievable over a number of weeks on horseback using Roman roads.
This book is followed by Arthur Rex Brittonum (2020), covering the remainder of Arthur’s life – from thirty to his late forties. Again, following Nash Ford’s speculation on the possible locations of Arthur’s battles, he leaves the north and travels to the Welsh borders and, finally, to the West Country. The author has opted to locate Mount Badon near Bath, and Camlann at Avalon in Somerset in the West Country.
This series is fiction, loosely based on scraps of historical evidence, and the author remains fascinated by this ‘black hole’ in British history. What really happened in the 200 years between the end of Roman rule and the establishment of the Anglo-Saxon kingdoms? Perhaps one day historians and archaeologists will find the missing pieces in our historical jigsaw puzzle.
A story of an imagined, historical Arthur, freed of the glitz and glamour of the Camelot legend. No round table – instead Arthur hosts his councils of tribal chiefs in ‘Arthur’s Roundel’, the Roman ampitheatre at Caerleon. No Holy Grail – instead the pre-Christian search for the Treasures of Britain, and an encounter with the ‘talking’ Head of Bran. Arthur is accompanied by Welsh folklore (pre-Medieval) knights, Bedwyr, Kay, Lucan and the sons of Gawain – Agravane, Mador, and Gaheris, who all belong to the earliest incarnations of the Arthurian legend. Arthur’s peers are ‘real’ historical tribal kings and chiefs of the late 5th/early 6th centuries, including, Meirchion Gul; Owain Ddantgwyn; Cadwallon; Geraint; Vortipor; Cyngar and Caradog. Arthur’s enemies are names plucked from the Anglo-Saxon Chronicle – Cerdic; Octha (son of Hengist); Icel King of the Angles, and, for a bit of fun, Beowulf, the legendary Angle warrior and slayer of monsters. Father (later Saint) Asaph is Arthur’s chaplain, and literary monk, Gildas, appears as a dour novice.
I started writing historical fiction series, A Light in the Dark Ages, in 2015, with ‘Abandoned’.
This tells my story of ‘what happened next?’ in Britain following Rome’s final separation from its most northerly province in 410 AD.
My account of Bishop Guithelin giving up on local Briton chiefs and taking ship to northern France to beg the Christian King Aldren to come and claim the island for himself, is lifted from Geoffrey of Monmouth’s 1136 work, ‘The History of the Kings of Britain’. His mission results in Aldren’s maverick brother, Constantine, taking on the challenge – be careful what you wish for. Most other characters, including the half-Roman Marcus, are entirely fictitious.
Abandoned sets the ground work for a book series that encompasses the origins of the legend of King Arthur – thought to be a late fifth/early sixth century warrior leader who organised Briton tribes in defence of their island from creeping Anglo-Saxon colonisation.
As a series starter, the ebook of Abandoned has been discounted to just 99c/99p, and the paperback just £5.99/$6.99.
Was Arthur a real historical figure? Many believe that buried beneath the legend is a real sixth century leader of Briton resistance to the settlement of Anglo-Saxons.
Tim Walker’s compelling book series, A Light in the Dark Ages, reaches its climax with his telling of Arthur’s story, based on historical evidence of an early sixth century warlord who unites Briton tribes in opposition to Anglo-Saxon colonisation.
The legend of Arthur grew in the years after his death, becoming grander and more exaggerated with each telling. By the ninth century, monk Nennius attributed 12 winning battles to Arthur in his ‘History of the Britons’.
In the Middle Ages, the legend was further embellished with the addition of Christian virtue, the search for the Holy Grail, knights in shining armour, a round table, Camelot, and a love triangle involving Arthur, Guinevere and Lancelot.
The Superhero film genre is in overdrive at the moment, with at least one new movie every year. This year’s second superhero movie is ‘Avengers: Infinity War’ in a franchise that started in 2012 with ‘The Avengers’, bringing Marvel comic characters to life. This follows the quirky and successful ‘Black Panther’ (2018) that cleverly introduces a sub-genre element by showcasing mainly non-white actors, thus broadening the superhero genre appeal to different ethnic groups.
The recurring theme in this genre is not new – mankind is under threat from a terrifying external power and need heroes with superhuman powers to defend it. This storyline goes back to early human society when primitive man had an intuitive way of interpreting the awesome and incomprehensible power of nature. The animistic gods of the Ancients are often part-human/part-animal incarnations that represent the main elements – earth, water, air and fire, or aspects thereof. These were feared, revered and appeased with offerings and sacrifices in the hope of favourable outcomes or protection from the uncontrollable power of Nature.
It is no surprise that some ancient gods, most notably Thor from Norse mythology, have been incorporated into Marvel’s superhero stories. Although Thor is a god, he has human form and is the defender of mankind against ‘foreign’ enemies. They evoke familiar tribalistic defence mechanisms in an audience primed to circle the wagons at the first signs of danger from an unknown or unfamiliar predatory enemy.
The earliest human societies, pre-dating and including the recorded tales from Ancient Greece, invented creation stories that often involved superhuman god-like creatures who created the world and ruled over it in an age before the coming of Mankind. These gods became invisible forces to be invoked and appeased in ritual ceremonies as humans inherited the earth. It filled a powerful need in early Man’s consciousness to make sense of his surroundings, and pre-dates our Age of Science and Reason approach to understanding our world and beyond.
The blurb for the new superheroes movie reads, “’Avengers: Infinity War’ brings to the screen the ultimate, deadliest showdown of all time. As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.”
The plot of this film centres on the concept of infinity or timelessness, through the infinity stones, or gems (six immensely powerful gems that appear in Marvel Comic stories known as the Mind, Soul, Space, Power, Time and Reality). This representation of attributes in physical objects harks back to ancient societies – objects to be revered or deified in the belief that they can affect desired outcomes. The stones are ancient artefacts, thus connecting the story to early human history and invoking the theme of the continuum of time.
Teenagers/Young Adults are the core target audience for this repeated narrative of humans with superpowers battling unknown or alien forces whose intentions are always hostile to human society. A show of destructive power by an evil character usually sets up the story, whereby one or more superhero will do battle, like gladiators, on behalf of a frightened and powerless population. Often the stakes are the highest imaginable – the fate of Planet Earth.
It is no surprise, then, that my own teenage daughter, Cathy, is thoroughly transfixed by superhero movies. She becomes engrossed in the latest story of heroic figures fighting on her behalf against external forces of evil who would destroy her home and family. She has no problem identifying with the ‘goodies’ – often male and female characters who represent ‘the best’ of humankind. When I asked her what our character, Charly Holmes’ next adventure should be, she quickly replied, “let’s make up a superhero story!”
And so, we have now completed our story – ‘Charly & The Superheroes’, based on Cathy’s idea that Charly, whilst on a film studio tour, is invited to substitute for a child actor in a superhero movie. The rest of the story developed from there. Our superheroes represent the four elements – earth, air, fire and water – but when a real disaster strikes, the actors are challenged to use their own knowledge and skills to help the group through a series of dangerous situations.
Our own homage to the superhero genre, ‘Charly & The Superheroes’, is available from 19th September in e-book and paperback formats from Amazon and other online stores. Suitable for children aged 10+, juveniles, young adults, teachers and parents:
I’ve just re-published a new, longer second edition of Abandoned, book one in A Light in the Dark Ages series. It addresses the complaints at the brevity of the original novella that told the story of Marcus and the defence of Calleva. This is now incorporated into a longer story that charts Britannia’s troubled journey from abandonment by the Romans to choosing a king to organise their defence from determined raiders.
The narrative thrust is loosely guided by the writings of Geoffrey of Monmouth in his 1136 work, The History of the Kings of Britain. The romantic in me likes to think there might be some credence in his account of events in fifth century Britannia leading up to the coming of King Arthur (now widely thought to be a composite of a number of leaders who organised opposition to the spread of Anglo-Saxon colonists).
I’m holding the e-book price at just 99p/99c – so please help me replace the lost reviews from the now unpublished first edition. Much work has gone into this upgrade from novella to novel – I hope you enjoy it! http://amazon.co.uk/dp/B07FKT7W8J http://amazon.com/dp/B07FKT7W8J
Fellow indie author, C.H. Clepitt, has launched her new book today – congratulations!
C H Clepitt has a knack for creating real, relatable characters, who face adversity with humour and humanity, and Curtain Call is no exception.
When an assistant to the director role turns into P.A. to her favourite film star, Jen can’t believe her luck. Eleanor Francis is charming, kind and funny, but she has a secret, and when tragedy strikes, things threaten to unravel at an uncontrollable pace. Despite being out of her depth Jen has to adapt to her new role quickly, to protect Eleanor, with whom she is rapidly falling in love.
This is a sweet, understated story that will have you laughing and crying in equal measure. If you’ve enjoyed C H Clepitt’s other books (including the witty, I Wore Heels to the Apocalypse) then this is not to be missed.
“The story is very well written and flows nicely… I would love to read more about the two main characters in future books.” – Simon Leonard – Black Books Blog
“Love blossoms in an unexpected place in this emotional short story. A change of direction for Clepitt but delicately written and heartfelt.” – Claire Buss – Author of The Rose Thief and other novels.
“The story’s optimism that makes it such a joy to read and leaves one feeling there must be hope after all.” A.M. Leibowitz – Author of Keeping the Faith and other novels
Curtain Call is available in e-book format at £1.99 from Amazon –